
Photo by Neal Barr |
1920s dress of panne velvet |

Photo by Neal Barr |
1930s bias-cut wedding dress |

Photo by Neal Barr |
Early 1940s dress by Lange for Hildegarde |

Photo by Horst |
1940s rayon dinner dress for Joan Crawford |

Photo by Horst |
1948 dress by Bruyère for Hildegarde |

Photo by Horst |
1950s dress by Travilla for Marilyn Monroe |

Photo by H. M. Talma |
1917 coat with gray squirrel by Patou |

Photo by T.A. Etter |
Late 1940s Charles James black velvet top with white satin skirt |

Photo by T.A. Etter |
1981 Galanos. |

Photo by Carolyn Woodford Schmidt, Ph.D. |
1930s bias-cut wedding gown |

Photo by Carolyn Woodford Schmidt, Ph.D. |
Late 1940s Charles James with a second top |

Photo by H. E. Schmidt III |
1948 Bruyère for Hildegarde |

Photo by Carolyn Woodford Schmidt, Ph.D. |
1870s moire; two 1910 silks |

Photo by Carolyn Woodford Schmidt, Ph.D. |
1917 Patou coat; 1960s Balenciaga coat, hat, handbag; 1920s Lanvin cape |

Photo by H. E. Schmidt III |
1980s Nina Ricci lamé with 1950s Dior Venus gown in the background |

Photo by Carolyn Woodford Schmidt, Ph.D. |
1997 Matthew Terry, at the time a Sophomore in the Shannon Rodgers and Jerry Silverman
School of Fashion Design and Merchandising at Kent State University, Kent, Ohio, featured
as the one student designer in the exhibition. Bias-cut cotton/linen diagonally draped
with all seaming on-grain. |