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Exhibition
Revolutionizing Fashion: The Politics of Style
Alumni Gallery
April 12 to September 17, 2000
Anne Bissonnette,
Curator
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Tan
wool sweater with appliquéd harness worn with matching hot pants,
designed and showed in the
fall of 1970 soon after the shootings at
Kent State University.
Baptized by Léon Bing as
the "back-to-school" collection.
American, Rudi Gernreich
for Harmon Knitwear
Gift of Mr. & Mrs. William Risman,
KSUM 1993.74.6 and 1993.74.7
Worn with brown leather boots, c.1964-1969
Gift of Eleanor Midrack Shockey,
KSUM 1987.16.7 ab
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1970: Past, Present and Future
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Rudi Gernreich
was no stranger to controversy. From his famous topless bathing suit
in 1964, Gernreich approached fashion as a social commentator. Known
for exploring the intricacies of contemporary life, Rudi Gernreich
was asked to envision the clothes of tomorrow for the first issue
of Life magazine of January 1, 1970. His answers were bold and shocking:
functional, comfortable, minimal unisex garments worn interchangeably
by hairless men and women. His style politics eliminated gender related
esthetics in order to enable true equality, obliterated nostalgia
and proposed that nudity no longer to be equated with morality. Gernreich
aimed to create a "utility principle" that would have allowed us to
"take our mind off how we look and concentrate on really important
matters".
This utopian
anti-fashion vision of the future was extremely powerful at the
dawn of a new decade but was soon overshadowed by the chaotic state
of current affairs and the tragic events at Kent State. Fueled by
the debate and consternation over the shooting, Gernreich created
his next collection with a militaristic look and outfitted models
with guns, dog tags and combat boots. His dynamic attitude towards
fashion was always anchored in contemporary life and his 1971 collection
was thus tinted with the aggressiveness of current political events.
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