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Woman's
Munisak Robe
Uzbekistan, possibly from Bukhara c.1860s
Warp-faced plain weave
silk warp, cotton weft ikat (adras, ishtope,
or dagir)
Neck to hem: 47½"/120.7 cm
Cuff to cuff: 56"/142.2 cm
Kent State University Museum, Silverman/Rodgers Collection, KSUM
1983.1.1993.
Rare indigo dyed ikat with grayish-white (ground color) and
yellow abstracted floral motifs and pink dashes. Underarm gussets
in orange/pink and purple/orange adras ikat. Pink, purple
and yellow embroidery above side slits. Padded and quilted vertically.
Lined in several Russian cotton printed fabrics with stripes as
well as floral and boteh (paisley) motifs.
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Status and age
were indicated by the color of a woman's clothes. Age-appropriate
colors included red and pink tones for young women and girls (red
symbolized life and fertility for peasants and nomads)(1), darker
shades for matrons, and indigo blue for older women (2). Since the
robes in a woman's dowry were meant to last throughout her life,
a wide array of shades was included, indigo among them.
Indigo ikat
robes were worn by women of all ages for funerals and, most importantly,
they served to cover a woman's bier (3). As the corpse was carried
out of the house, the deceased's relatives would turn their own
robes inside out, and, on the day of the burial, they would wear
dark blue or black mourning robes (4). The importance of these burial
customs insured the longevity of indigo mourning robes in Central
Asia.
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(1) Johannes
Kalter, ed., Uzbekistan: Heirs to the Silk Road (Thames and
Hudson, 1997), 205.
(2) Kate Fitz Gibbon, "Ikat: Costume in Central Asia,"
Ornament 21, (Fall/ Summer 1997-1998): 59. Kate Fitz Gibbon
and Andrew Hale, Ikat: Splendid Silks of Central Asia: the Guido
Goldman Collection (Lawrence King Publishing in association
with Alan Marcuson Publishing, 1999), 122.
(3) Kalter, 226. Gibbon, 59.
(4) Gibbon, 59.
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