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Revolutionaries
of design Issey Miyake and Rei Kawakubo have fused east and west
to establish an aesthetic that goes beyond national identity. Their
innovative approaches to fashion have baffled and transformed us
for the past three decades. Beneath a surface of metamorphosing
modern forms, the intellectual core of their work is solidly informed
by the traditional principles of Japanese design.
A new generation
of creative designers came of age in the chaos of post-war Japan,
a time of radical political and cultural change. It was then that
western clothing replaced the kimono as the usual dress of daily
life. Traditional codified attire was swept away, and the Japanese
fashion system re-invented itself from a model aesthetically and
structurally foreign to Japanese ways. New forms emerged, rooted
in a culture that had spent centuries searching for beauty and balance
in all aspects of life.
The work in
Japanese by Design retains a respect for craftsmanship that manifests
itself in the knowledge of the nature of chosen materials, an understanding
of the discipline imposed by structure, and a control of technical
processes. The freedom that emerges from this time-honored approach
permits the creation of new styles that satisfy both traditional
tenets of eastern design and the cutting-edge visions of radical
chic.
From the conjunction
of old and new, a unique vision was born. During the recent past
Japanese fashion designers have searched, questioned and shaken
the foundations of western dress. They have invigorated and modified
it profoundly along the way. The creations of Miyake and Kawakubo
bring the art of clothing design to a different level, and propose
new proportions, diverse sensitivities, and an original take on
comfort and appropriateness. In them we find a fresh perspective.
The Kent State
University Museum would like to thank Mary Baskett for sharing her
knowledge of contemporary Japanese design, for the inspiration and
enthusiasm she brought to this project, and for temporarily parting
with pieces from her wardrobe. Japanese by Design would not have
been possible without her unfailing generosity.
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