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Exhibition
Lace:
The Art of Needle and Bobbin
Higbee Gallery,
March 23, 2007
- January 6, 2008
Jean Druesedow,
Curator
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English
School
1648
Portrait
of Miss Jane Halswell, Aged 18, 1648
Portrait of Colonel John Tyne, her husband, Aged 30, 1648
Oil on canvas, Miss Halswell, 34 ½" x 31 ¼";
Colonel Tyne, 35 ½" x 29 ¾"
Kent State University Museum
Silverman/Rodgers Collection, 1983.4.718ab
The
representation of the lace edging Miss Halswell's white linen
collar is most probably of scalloped Flemish bobbin lace typical
of the 1630s. Heavy gold and silver gimp lace edging is represented
on Colonel Tyne's baldric, the heavily embroidered sash across
his chest. Metallic laces were popular throughout the seventeenth
century in spite of sumptuary laws that sought to control their
use. Santina Levey in Lace A History published by the Victoria
and Albert Museum in London, mentions that a Committee of Parliament
was set up in 1657 to investigate "the abuse of melting
down the silver coins of the Nation to make lace."
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