Exhibition

Lace: The Art of Needle and Bobbin
Higbee Gallery, March 23, 2007 - January 6, 2008
Jean Druesedow, Curator
   

    
   

English School
1648
Portrait of Miss Jane Halswell, Aged 18, 1648
Portrait of Colonel John Tyne, her husband, Aged 30, 1648
Oil on canvas, Miss Halswell, 34 ½" x 31 ¼"; Colonel Tyne, 35 ½" x 29 ¾"
Kent State University Museum
Silverman/Rodgers Collection, 1983.4.718ab

The representation of the lace edging Miss Halswell's white linen collar is most probably of scalloped Flemish bobbin lace typical of the 1630s. Heavy gold and silver gimp lace edging is represented on Colonel Tyne's baldric, the heavily embroidered sash across his chest. Metallic laces were popular throughout the seventeenth century in spite of sumptuary laws that sought to control their use. Santina Levey in Lace A History published by the Victoria and Albert Museum in London, mentions that a Committee of Parliament was set up in 1657 to investigate "the abuse of melting down the silver coins of the Nation to make lace."

 

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