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Exhibition Of
Men & Their Elegance 1830s
to Late Nineteenth Century
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Born in Versailles on March 29th, 1795, Gent Charles was a student of the artist Pernot and had his work displayed at the "salon" in Paris in 1822 and 1824. A portrait artist, he depicted in this tableau a French naval officer in full dress. His uniform of dark
wool is punctuated with incised metal buttons and metal passementerie
in the form of braids, ribbons and fringed epaulettes. The braided cording
he wears on his left shoulder is indicative of his status as a royal "aide-de-camp,"
better known in the English-speaking world for its acronym "A.D.C."
The height of his high closed collar is reminiscent of previous styles;
what differs in this period is the progressive replacement of the white
stock for a cravat of black silk satin covering a stiff horsehair band.
His hairstyle has lost its neo-classical length and unruliness but sideburns
have gained greater importance.
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| Nineteenth
century menswear was dominated by dark colored coats and light colored shirts,
stocks, vests, breeches, pantaloons and trousers right into the second third
of the century. The definition of masculinity had changed considerably from
the previous century. Seldom were bright colors and silks worn except in
the vest. As time passed, pants were progressively made in the same color
and fabric as the coat and jewelry was restricted to a watch chain, ring
and studs or pins to hold the cravat in place.
In these series of portraits, one can see the transition to this more subdued fashion. For the brilliant colors and decorations of days gone by, one need only look at military wear. In civilian and military life, hairstyles, sideburns and moustaches also were becoming highly sophisticated and expressed a high degree of individuality.
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