Exhibition

Wrapped in Splendor: The Art of the Paisley Shawl
Broadbent Gallery, July 1997 - August 1998
Anne Bissonnette, Curator

  

European, Turkish and Kashmir Early Shawls

pais5.JPG (201887 bytes)
furthest left:
Square "lopsided" shawl with ivory field
Europe, possibly France, ca. 1820-30
pieced, woven au lancé 3/1 twill, back trimmed with floats, wool warp and 
weft, top quality: 8 colors
Kent State University Museum
Shannon/Rodgers Collection 1986.97.39

left center: 
Square shawl with light blue field
Europe, ca.1835-45
Pieced, woven au lancé 3/1 twill, back trimmed, wool warp/silk or cotton 
weft, Top quality: 8 colors
Kent State University Museum
Silverman/Rodgers Collection 1983.1.1550

right center:
Square shawl with corner-ornamented ivory field
Europe, ca. 1830-49
woven au lancé 3/1 twill, back trimmed, wool warp and weft,
top quality: 9 colors
Kent State University Museum
Silverman/Rodgers Collection 1983.1.1542

furthest right:
Long kanikar shawl with blue field
Kashmir, India, 1840s
pieced, twill-tapestry weave 2/2 twill, wool warp and weft,
top quality: 9 colors
135 x 57 1/2"
Collection of the Massillon Museum L1997.14.4


From Indian to European Fashion 
 

 

The British were the first Europeans to develop an interest in Kashmir shawls. A young Englishwoman who had been in Bombay, India, is said to have brought one to London in 1765 (1). The East India Company started importing and selling them in the last quarter of the eighteenth century. At this time, the English fashion in women's clothing had started moving towards simpler styles often made from Eastern textiles such as Indian chintz, calico, and muslin fabrics. 

Throughout the last quarter of the eighteenth century, English styles had a significant impact on Parisian fashion, a trend dubbed "Anglomania" (2). Nevertheless, the wearing of simple muslin gowns, such as Marie-Antoinette's "chemise a la reine", was limited to a handful of highly fashionable French ladies. Not until the Revolution did the new simpler styles based on Greek and Roman clothing gain momentum. The Revolution acted as a catalyst for styles already in the pipeline which were pushed to the forefront by the impact of politics(3). 

Officers returning from Napoleon's 1799 Egyptian campaign brought Kashmir shawls as gifts, which helped to spread the fashion and fascination for them. As neo-classical styles were adopted in France and spread like wildfire around Europe and America, demand for Kashmir shawls exceeded the supply, driving up the prices of an item already exorbitantly costly. This fashion for simple cotton dresses and Indian shawls was extremely detrimental to the French economy. In an effort to remedy the situation, Napoleon banned their importation and ordered that copies of shawls be produced in France. However, his role as fashion dictator was undermined by his wife, Josephine, who continued to have her own shawls smuggled in without his knowledge! An inventory of her wardrobe in 1809 included 666 winter dresses, 230 summer dresses, and 60 cashmere shawls, some of which had cost as much as 8,000 to 12,000 francs, an outrageous price in those days (4). 

__________________
(1) Phyllis Tortora and Keith Eubank, Survey of Historic Costume (New York: Fairchild Publications, 1994), 254. 
(2) Ibid, 226. 
(3) Ibid, 265. 
(4) Ibid, 19.

 

general information | collections | exhibitions | special events | group tours
membership | donations | press releases | museum store
ask the staff | care of clothing | dictionary of costume | site index
museum homepage |university home page | other links

Copyright © 2001 The Kent State University Museum. All Rights Reserved.